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Nigel Honeybone

Wee Willie"Nigel Honeybone's debut was as Hamlet's dead father, portraying him as a tall posh skeleton. This triumph was followed in Richard III, as the remains of a young prince which he interpreted as a tall posh skeleton. He began attracting starring roles. Henry VIII was scaled down to suit Honeybone's very personalised view of this famous king. Honeybone suggested that perhaps he really was quite skeletal, quite tall, and quite posh. MacBeth, Shylock and Othello followed, all played as tall, skeletal and posh, respectively. Considering his reputation for playing tall English skeletons, many believed that the real Honeybone inside to be something very different, like a squat hunchback perhaps. Interestingly enough, Honeybone did once play a squat hunchback, but it was as a tall posh skeleton. But he was propelled into the film world when, in Psycho (1960), he wore women's clothing for the very first time. The seed of an idea was planted and, after working with director Ed Wood for five years, he realised the unlimited possibilities of tall posh skeletons who dressed in women's clothing. He went on to wear women's clothing in thirteen major motion pictures, including the Rocky Horror Picture Show (1975) and Star Wars (1977), heartbreaking as the remains of Aunt Beru. With the onslaught of special effects came the demise of real actors in these sorts of roles. After modeling for CGI skeletons in Total Recall (1990) and Toys (1992), the only possible step forward for a tall posh skeleton was television, imparting his knowledge and expertise of the arts. As well as writing for the world's best genre news website HORROR NEWS, Nigel Honeybone is currently signed to star in a new series for television presenting the finest examples of B-grade horror. THE SCHLOCKY HORROR PICTURE SHOW is seen on Friday nights at 10.30pm on TVS Television Sydney, and where ever good Youtube downloads are available." (Fantales candy wrapper circa 2007)

Film Review: The Tenant (1976)

Tenant poster 1

SYNOPSIS: “In Paris, the shy bureaucrat Trelkovsky rents an old apartment without bathroom where the previous tenant, the Egyptologist Simone Choule, committed suicide. The unfriendly concierge (Shelley Winters) and the tough landlord Mister Zy establish stringent rules of behavior and Trekovsky feels ridden by his neighbors. Meanwhile he visits Simone in the hospital and befriends her girlfriend Stella. After the ...

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Film Review: Spider Baby (1968)

Spider Baby poster 1

SYNOPSIS: “In a dilapidated rural mansion, the last generation of the degenerate, inbred Merrye family lives with the inherited curse of a disease that causes them to mentally regress from the age of ten-or-so on as they physically develop. The family chauffeur looks out for them and covers up their indiscretions. Trouble comes when greedy distant relatives and their lawyer ...

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Film Review: Slipstream (1989)

Slipstream poster 2

SYNOPSIS: “In the future, natural disasters (earthquakes, floods) have ravaged the Earth, leaving the Earth as a world where pockets of communities live within canyons whilst a violent wind known as the Slipstream rules the Earth and the only means of transport are airplanes. Matt Owens is a daredevil adventurer who kidnaps Byron, a fugitive wanted for murder, who is ...

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Interview: Shane Porteous as Deadly Earnest

Shane Porteous, Ralph Baker, Ian Bannerman, Hedley Cullen 1

Way back in the sixties, way before Elvira, a favourite amongst Australian students was Deadly Earnest, the television schlock horror host on the 0-10 Network. Late on Friday nights, the atrocious old science fiction and horror films became compulsory viewing, solely because of the Gothic Master of Ceremonies. Actors portraying Deadly Earnest were: Ian Bannerman (TEN-10 Sydney); Ralph Baker (ATV-0 ...

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Film Review: Screamers (1995)

Screamers poster 2

SYNOPSIS: “Sirius 6B – year 2078. On a distant mining planet ravaged by a decade of war, scientists have created the perfect weapon: a blade-wielding, self-replicating race of killing devices known as Screamers designed for one purpose only – to hunt down and destroy all enemy life forms. But man’s greatest weapon has continued to evolve without any human guidance, ...

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Film Review: The Satanic Rites Of Dracula (1973)

Satanic Rites Of Dracula poster 1

SYNOPSIS: “In London in the seventies, Scotland Yard police investigators think they have uncovered a case of vampirism. They call in an expert vampire researcher named Van Helsing (a descendant of the great vampire-hunter himself, no less) to help them put a stop to these hideous crimes. It becomes apparent that the culprit is Count Dracula himself, disguised as a ...

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Film Review: Santa Claus Conquers The Martians (1964)

Santa Claus Conquers The Martians poster 1

SYNOPSIS: “Martians, upset that their children have become obsessed with television shows from Earth which promote the virtues of Santa Claus, start an expedition to Earth to kidnap the one and only Santa. While on Earth, they kidnap two lively children that lead the group of Martians to the North Pole and Santa. The Martians then take Santa and the ...

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Samurai Jack (TV series)

Samurai Jack title 1

The nineties was the breakthrough decade for television cartoons. While The Simpsons might have brought some long-overdue respect to prime-time animation, Cartoon Network and Comedy Network viewers are likely to be the only ones to truly realise the extent of the weird and wonderful stuff going on in television animation, since Ren And Stimpy brought gross-out gags, psychological torture and ...

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Roger Corman Tackles Edgar Allan Poe

Roger Corman & Edgar Allan Poe 1

When the cinema of horror was temporarily abandoned in the late fifties, it was mostly low-budget black-and-white films about monsters. At the beginning of the sixties the budgets were lower than ever, but everything else was changing. As monsters flew out the window, doomed neurotics were plodding hauntedly through the door. The day of the Gothic Costume Drama had arrived, ...

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Robert Altman

Robert Altman 2

Robert Altman, the director of M*A*S*H (1970), Nashville (1975) and Gosford Park (2001), is not an easy artist to summarise. He has always been a fiercely unpredictable ‘lone wolf’ (like many of his heroes) in the film business. But surprisingly, the one category in relation to his work is seldom discussed is the fantastic. Yet at least five of Bob’s ...

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