Film Review: Prey (2004)

SYNOPSIS:
“When a number of hikers are found torn apart in a national park, the police and park rangers alike are left baffled. Slowly their darkest nightmares are revealed as surmounting evidence points to the existence of a terrifying beast, known only in folk-lore. With the rangers trapped in the park, they’re forced to make their escape on foot, through the forest. Along for the ride is an obsessed Yowie hunter with a secret agenda. Only then does the true nature of the beast reveal itself.” (courtesy official website http://home.vicnet.net.au/~prey/about.htm )

REVIEW:
This week I have something really special, dare I say, unique. I recently presented for the first time on television, be it terrestrial, cable or somehow internet-based, the independent Australian horror film Prey (2004) directed by Trevor McBain and starring Lakesh Parag, Christopher Doughty and Anita Rus. Now, is Prey any good? It’s Australian! I’d normally give you a rundown of past and future credits of the cast and crew, but at the moment there aren’t any, so it’s probably a better idea to give you, good reader, a rundown of similar hairy man-beast films.

As far as I know, this is the first Yowie film, but as the film indicates, the Yowie is the local cousin of the Himalayan Yeti and the North American Sasquatch otherwise known as Bigfoot, and these creatures have been the mainstay of low-budget horror films since the seventies.

So let’s start with the most prestigious entry – that would have to be the 1957 Hammer film The Abominable Snowman (1957), with Peter Cushing and Forrest Tucker. Their off-set friendship led to the infamous episode of F-Troop, where my old friend Peter, playing Doctor Van Helsing, attempted to drive a stake through Corporal Agarn. The most expensive Bigfoot film would have to be Harry And The Hendersons (1978), which had its own television spin-off – According To Jim! Get it? You see, Jim Belushi’s a very hairy man and…oh, suit yourselves!

The most successful low-budget Bigfoot movie was The Legend Of Boggy Creek (1972), a pseudo-documentary, or as we call them today, news. Boggy Creek was so successful it spawned several sequels: Return To Boggy Creek (1977), The Barbaric Beast Of Boggy Creek Part Two (1985), named to distinguish it from the non-existent Barbaric Beast Of Boggy Creek Part One, and finally The Draining Of Boggy Creek And Its Subsequent Redevelopment As Low-Cost Housing, which was an induction video for property developers.

Of course, one of the most famous Bigfoot appearances was in The Six Million Dollar Man, where Bigfoot was revealed to be a robot. Sadly, this iteration of Bigfoot was never to work again, as he couldn’t get the parts. Doctor Who, of course, faced off against the Yetis, who were also robotic, in the classic stories The Abominable Snowman and The Web Of Fear, and in the recent Russell T. Davies episode Don’t Shave The Bears.

Sid And Marty Krofft added their own contribution with Bigfoot And Wildboy, but then, they were always ‘Pufnstuf’. Then there’s Shriek Of The Mutilated (1974), Snowbeast (1977), To Catch A Yeti (1995), Big And Hairy (1998), Little Bigfoot (1997), Little Bigfoot II The Journey Home (1997), Ape Canyon (2002), Sasquatch (2009) and Abominable (2006), to name too many, aside from all the pseudo-documentaries such as In Search Of Bigfoot (1976), Manbeast Myth Or Monster? (1978) and ZZ Top The Early Years.

So, now that you have Prey’s position in crap film history firmly situated, I shall now urge you to seek out a copy. Go! Now! Anyway, please join me next week when I have the opportunity to tickle your fear-fancier with another feather plucked from that cinematic ugly duckling known as…Horror News! Toodles!

Prey (2004)

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About Nigel Honeybone

Wee Willie"Nigel Honeybone's debut was as Hamlet's dead father, portraying him as a tall posh skeleton. This triumph was followed in Richard III, as the remains of a young prince which he interpreted as a tall posh skeleton. He began attracting starring roles. Henry VIII was scaled down to suit Honeybone's very personalised view of this famous king. Honeybone suggested that perhaps he really was quite skeletal, quite tall, and quite posh. MacBeth, Shylock and Othello followed, all played as tall, skeletal and posh, respectively. Considering his reputation for playing tall English skeletons, many believed that the real Honeybone inside to be something very different, like a squat hunchback perhaps. Interestingly enough, Honeybone did once play a squat hunchback, but it was as a tall posh skeleton. But he was propelled into the film world when, in Psycho (1960), he wore women's clothing for the very first time. The seed of an idea was planted and, after working with director Ed Wood for five years, he realised the unlimited possibilities of tall posh skeletons who dressed in women's clothing. He went on to wear women's clothing in thirteen major motion pictures, including the Rocky Horror Picture Show (1975) and Star Wars (1977), heartbreaking as the remains of Aunt Beru. With the onslaught of special effects came the demise of real actors in these sorts of roles. After modeling for CGI skeletons in Total Recall (1990) and Toys (1992), the only possible step forward for a tall posh skeleton was television, imparting his knowledge and expertise of the arts. As well as writing for the world's best genre news website HORROR NEWS, Nigel Honeybone is currently signed to star in a new series for television presenting the finest examples of B-grade horror. THE SCHLOCKY HORROR PICTURE SHOW is seen on Friday nights at 10.30pm on TVS Television Sydney, and where ever good Youtube downloads are available." (Fantales candy wrapper circa 2007)

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