Home | Film Reviews | Film Review: Frailty (2001)

Film Review: Frailty (2001)

“Fenton Meeks comes forth to tell the FBI that his brother Adam may be the serial killer who calls himself God’s Hands, who the FBI has been searching for. The film uses flashbacks to show Meeks’ childhood with a father who believed he was on a mission from God to destroy demons that inhabit human bodies. Fenton saw his dad as evil, while Adam saw him as a hero.” (courtesy IMDB)

What an interesting character Bill Paxton is turning out to be! For almost thirty years he’s worked his way from being a set-dresser in the seventies to being first unfortunate encounter with The Terminator (1984), and as Anthony Michael Hall’s nemesis in Weird Science (1985), through to becoming a full-blown director, appearing in seventy-odd feature films and television movies in between. Frailty (2001) is Bill’s second directorial effort, and in this horror-cum-extended Twilight Zone tale of a God-told-me-to killing spree, he moves us into very dark territory indeed. And thankfully there’s very little Hollywood over-the-top predictability to ruin the uneasy atmosphere of this solid film.

Bill wisely sought the advice of film-making friends who had made successful suspense films, both James Cameron and Sam Raimi. In fact Cameron had already seen the film during the editing stage and offered ideas and insightful notes on cutting. The endorsement Cameron and Raimi lent to the picture are glowing indeed, Raimi going as far to say that “Frailty is the most frightening horror picture since The Shining (1980).” It’s no throwaway comment, either, Frailty is not for the faint-of-heart, and the dark subject matter was certainly a good way for Bill to cut his teeth on the director’s chair.

It’s the present day and a calm yet fairly calculated Fenton Meiks (Matthew McConaughey) visits the FBI claiming his younger brother is the infamous ‘God’s Hand’ killer who has eluded authorities after a series of gruesome murders. In order to convince the dubious agent Doyle (Powers Boothe), Fenton flashbacks to 1976 and the bizarre turn of events involving his father, a pair of magic gloves, a metal pipe, and an axe named ‘Otis’.

Bill Paxton is Dad, a genuinely nice single father who balances his life between a humble mechanic’s job and teaching his two sons a decent way of life. One evening a vision of the Almighty visits the God-fearing father, instructing him and his family to rid the world of demons prior to Judgment Day. The catch is that the demons look like humans, and he can’t tell anyone of his new ‘job’ or else die. How’s that for a way to wake up in the morning? Sure enough, Dad’s soon bringing home ‘demons’ (he gets a specific hit-list of names from God himself) and the boys are forced to watch and participate in the bloodletting. But what is really happening here? Are they truly carrying out God’s dirty work or is Dad a few sandwiches short of a picnic, as an increasingly skeptical and scared Fenton thinks?

In a sense, Frailty is a homage to all those movies that warped and disturbed young film-goers for decades. Films like Invaders From Mars (1953), in which the impudent boy tries to get an authority figure to listen to them, and of course Robert Mitchum’s The Night Of The Hunter (1955), one of Bill’s favourite films in which the children are a key element. They say in Hollywood ‘Never work with animals or children’ but fortunately Bill was blessed with some of the best child actors of the time. Especially impressive is Matt O’Leary, who plays the young Fenton Meiks.

Bill manages to inject a subtle sense of awe into the proceedings via the matter-of-fact delivery of this extraordinary story, plus there’s a refreshing twist to come that should have Twilight Zone fans slapping their foreheads. Had the tension been heightened and the pace sped-up to reflect the on-screen horror, Frailty might have been deemed a classic. However, it’s still an engaging ninety minutes that proves Bill Paxton is a directorial talent still waiting to take flight.

So please join me next week when I have the opportunity to present you with more unthinkable realities and unbelievable factoids of the darkest days of cinema, exposing the most daring shriek-and-shudder shock sensations to ever be found in the steaming cesspit known as…Horror News! Toodles!

Frailty (2001)

About Nigel Honeybone

"Rondo Award Winner Nigel Honeybone's debut was as Hamlet's dead father, portraying him as a tall posh skeleton. This triumph was followed in Richard III, as the remains of a young prince which he interpreted as a tall posh skeleton. He began attracting starring roles. Henry VIII was scaled down to suit Honeybone's very personalised view of this famous king. Honeybone suggested that perhaps he really was quite skeletal, quite tall, and quite posh. MacBeth, Shylock and Othello followed, all played as tall, skeletal and posh, respectively. Considering his reputation for playing tall English skeletons, many believed that the real Honeybone inside to be something very different, like a squat hunchback perhaps. Interestingly enough, Honeybone did once play a squat hunchback, but it was as a tall posh skeleton. But he was propelled into the film world when, in Psycho (1960), he wore women's clothing for the very first time. The seed of an idea was planted and, after working with director Ed Wood for five years, he realised the unlimited possibilities of tall posh skeletons who dressed in women's clothing. He went on to wear women's clothing in thirteen major motion pictures, including the Rocky Horror Picture Show (1975) and Star Wars (1977), heartbreaking as the remains of Aunt Beru. With the onslaught of special effects came the demise of real actors in these sorts of roles. After modeling for CGI skeletons in Total Recall (1990) and Toys (1992), the only possible step forward for a tall posh skeleton was television, imparting his knowledge and expertise of the arts. As well as writing for the world's best genre news website HORROR NEWS, Nigel Honeybone also presents the finest examples of B-grade horror on THE SCHLOCKY HORROR PICTURE SHOW seen every Friday night on TVS Television Sydney." (Fantales candy wrapper)

Check Also


Film Review: O Christmas Tree (short film) (2015)

SYNOPSIS: Spreading the Christmas cheer through the gift of song, four carolers find themselves in ...


Film Review: Invaders (short film) (2014)

SYNOPSIS: A pair of home invaders consider their potential character choices just prior to their ...

Leave a Reply

Your email address will not be published.