Napalm Records is pleased to present the next chapter in psychedelic rock icons MONSTER MAGNET’s rabbit hole deep dive, A Better Dystopia (out May 21, 2021): a delightfully (and psychotically) curated collection of 60’s and 70’s proto-metal and late-era psych obscurities covered by the heavy New Jersey legends themselves. A Better Dystopia sees the band pay homage to some of their favorite songs of all time, while reflecting on the paranoia, dystopia and revolution of both now – and then.
Mastermind Dave Wyndorf on the track “I’m psyched to unleash our version of Motorcycle (Straight To Hell). Table Scraps are a truly great band and prove again and again that garage punk fury lives!”
Wyndorf is at the top of his game on A Better Dystopia, delivering each lyric in his own inimitable style, and musicians Phil Caivano, Bob Pantella, Garrett Sweeney and Alec Morton own the sound – vintage and old school, dense and heavy, with searing fuzz leads and pounding bass and drums all played in a deft style that’s almost been lost in modern music. The album opens with “The Diamond Mine”, as Dave Wyndorf recites a classic monologue by Dave Diamond, an American radio DJ whose programs in the late 60’s and early 70’s helped popularize many psychedelic and acid rock bands. At this point the real trip begins, as the opening chords of the Hawkwind classic “Born To Go” gear up for launch.
Tracks like standout “Mr. Destroyer” (Poo-Bah) spur visions of some untold Freak revolution – or perhaps dinosaurs battling on a burning planet at the end of time – creating a perfect blend of hard rock and psychedelia. Feverish “Motorcycle (Straight To Hell)” (Table Scraps) is pure punk fury of the old school tradition, evoking a cross between Iggy Pop and Motörhead as Wyndorf wails “I’m gonna drive it straight to HELL!” Falling even further down the mind-bending rabbit hole, Magnet offers their stunning, whirlwind take on the often-overlooked hard rock classic “Learning To Die” (Dust) and a masterful version the Stooges meets Goth epic, “Solid Gold Hell” (The Scientists). The album closes with a bonus nuclear cover of Morgen’s “Welcome To The Void”, inviting you to restart the ride again and again.