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Home | Interfilm’s RAGEAHOLIC Wraps Principal Photography Today in Japan

Interfilm’s RAGEAHOLIC Wraps Principal Photography Today in Japan

Interfilm’s RAGEAHOLIC
Wraps Photography in Japan

Picture marks feature directorial debut of acclaimed
artist and scripter Yoshiki Takahashi

Principal photography wrapped today on Interfilm’s RAGEAHOLIC, from writer/director Yoshiki Takahashi. The picture marks the feature directorial debut of prolific Tokyo-based artist Takahashi, who is widely-known for scripting Sion Sono’s celebrated 2010 blockbuster COLD FISH.

RAGEAHOLIC, which is based on a story by Yuki Kobayashi (DEATH ROW FAMILY), stars Yohta Kawase (SHIN GODZILLA, BEING NATURAL), model Aya Saiki, Ryuju Kobayashi (AUGUST IN TOKYO), and Manzô Shinra (ICHI THE KILLER). It is produced by Kazuto Morita, Yukihisa Higami, Kazunori Shibasaki, and Takehiko Ito.

RAGEAHOLIC follows Yakuza-busting police officer Fukama (Kawase), who, after allowing his overly-violent nature to get the better of him, botches an arrest and leaves several bodies in his wake. Disgraced and sent to America for psychotherapy, he returns to Japan years later to discover that the town he once cleaned up is now so clean that it has literally become sanitized – with death as punishment for those who do not conform. And as he realizes how dangerous this ‘sanitation’ truly is, the rage inside him returns with a bloody vengeance.

Says writer/director Takahashi, “The idea behind the film came from the increasing exclusionism and thirst for a ‘sanitized society’ in Japan. Being a social outcast in Japan means you’re targeted to be alienated and excluded. The social unrest in my home country is becoming alarmingly high, and citizens are getting more and more protective. The ‘safe society’ they now demand looks, to me, like an Orwellian dystopia, and inspired me to make a caricatured film about it.”

Principal photography on RAGEAHOLIC began on February 13th in the Tokyo suburbs of Saitama Prefecture, where a sequence involving a tense hostage situation was shot. The following day, the production moved north to Gunma Prefecture, where the remainder of the picture was lensed. It eyes a late 2020 festival and theatrical bow.

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