Haven’t talked about THE THING redo that Universal has in the works. It’s still quite a ways off, Oct. 14th to be exact but today brought us a new image and sure, it shows us absolutely nothing but what the hell. It’s a slow news day and it is THE THING remake remake so it’s worth a few seconds of …
Read More »Tag Archives: THE THING
Top 10 Most Claustrophobic Horror Films
Devil, the new horror film produced by M. Night, is set to release this Friday September 17th, I don’t know how I feel about it yet since M. Night ruined The Last Airbender series for me, but that is neither here nor there. In honor of this horror/thriller film that takes place entirely in an elevator, I have decided to …
Read More »The History of Scifi in Horror
Growing up in the 80’s for the most part, I found myself a Horror fan as much as the next kid. My best friend Wally and I joined a local movie-rental club; we would ride our bikes down to the movie place and rent every horror film the guy had. Being 13-14 it was great because he would let us …
Read More »Horror Gossip: 08.21.10
Shamrocks & Shenanigans to all of you..my acolytes. All of you who worship & praise at the altar of The Black Saint. I am just about fully recovered from the abomination called “The Last Exorcism” & I am ready to bash all of you over the head with bits of news from what the late, great Forrest J. Ackerman called …
Read More »How To ‘Make’ A Monster
How does one identify a monster? The question is easier to answer by example than definition. In movie terms, a monster is something unnatural, dangerous and out of control. King Kong (1933), the Frankenstein (1931) monster, Godzilla (1954), Dracula (1931), Ray Harryhausen’s cyclops from The Seventh Voyage Of Sinbad (1958), the Alien (1979), The Mummy (1932). That’s the monster A-list, …
Read More »Charity screening of THE THING at Stratford Picturehouse
A team of scientists in the Arctic are infiltrated by a shape-shifting alien which has the ability to replicate the appearance of the people it kills. This is arguably Carpenter’s most effective film, creating a real sense of claustrophobic paranoia through its isolated location, Ennio Morricone’s iconic score, and the distrust shown among the men as they try to work …
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