del Toro says:
“I came out of The Hobbit, and it was the biggest heartbreak I’ve experienced as a filmmaker, because I will never know what that movie would have been. I was very mindful that I didn’t want to have a rebound movie, as happens sometimes when somebody comes off a long romance. There were very big, lucrative, beautiful projects on the table, and I was developing one of them with Jim Cameron. In my stubborn fashion, I slipped Jim the script, again, when we were meeting on that other project. He said, you still want to do that? To his credit, he said, well, let’s pursue that instead. This is the movie I most want to do. I haven’t done horror in a long time. Devil’s Backbone tries to make the ghost a victim, and not a scary character. Blade 2 is more action than horror. I really love the genre and last time I did a horror film was Mimic, and that was not a horror for the right reasons. That’s a muscle I want to flex. Frankenstein has the mitigating factor that for a length of the narrative, you favor the monster. For horror to work, you have to be afraid. You have to keep the monster in a black and white light. I mostly love monsters too much to see them in that light, but Lovecraft allows me to.”
The story is written in first-person perspective by the geologist William Dyer, a professor from Miskatonic University. He writes to disclose hitherto unknown and closely kept secrets in the hope that he can deter a planned and much publicized scientific expedition to Antarctica. On a previous expedition there, a party of scholars from Miskatonic University, led by Dyer, discovered fantastic and horrific ruins and a dangerous secret beyond a range of mountains taller than the Himalayas.
At the Mountains of Madness is based on the classic H.P. Lovecraft novel. I never got into him