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Home | News | Pioneering Horror Memoir “House Of Psychotic Women” By Kier-La Janisse Celebrates 10th Anniversary With Expanded Edition From FAB Press —Limited Ed. Out July 24 / Wide Ed. Oct 2022

Pioneering Horror Memoir “House Of Psychotic Women” By Kier-La Janisse Celebrates 10th Anniversary With Expanded Edition From FAB Press —Limited Ed. Out July 24 / Wide Ed. Oct 2022

PIONEERING HORROR MEMOIR “HOUSE OF PSYCHOTIC WOMEN” CELEBRATES ITS 10th ANNIVERSARY WITH EXPANDED EDITION

FAB PRESS to debut new edition of Kier-La Janisse’s influential text with book launch at the 2022 Fantasia International Film Festival in Montreal, QC alongside retrospective screening series in collaboration with Severin Films

House Of Psychotic Women Expanded Edition Limited Edition Release July 24 / Wide Release Oct 2022

In 2012, a book debuted that would go on to canonical status and usher in a new way of writing about film. Kier-La Janisse’s HOUSE OF PSYCHOTIC WOMEN was billed as “an autobiographical topography of female neurosis in horror and exploitation films,” and explored hundreds of films through a daringly personal lens. From the back cover:

Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart – ‘the eccentric’ – the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play.

In this pioneering work, anecdotes and memories interweave with film history, criticism, trivia and confrontational imagery to create a reflective personal history and an examination of female madness, both onscreen and off. Tim Lucas of VIDEO WATCHDOG called it “groundbreaking,” no-wave icon Lydia Lunch called it “a masterpiece,” and Molly Ringwald said she “devoured this compelling, surprising, and moving book.”

To mark its 10th anniversary,  celebrated film writer, programmer, producer, and director (WOODLANDS DARK AND DAYS BEWITCHED; 2021) Kier-La Janisse and FAB Press have reteamed to produce an expanded edition of HOUSE OF PSYCHOTIC WOMEN, featuring new writing on 100 more films – many of which were inspired in part by the book itself – and hundreds of images, including a 48-page full-color section. The expanded edition of HOUSE OF PSYCHOTIC WOMEN will launch at Montreal’s Fantasia Film Festival on July 24th in a limited edition, large-format hardcover.

In conjunction with the book’s release, Severin Films have restored four films that will form the basis of a screening series at the festival: Giuseppe Patroni Griffi’s IDENTIKIT (1974) starring Elizabeth Taylor, Polish vampire film I LIKE BATS (1986), Brunello Rondi’s libidinous folk horror IL DEMONIO (1963), and Luigi Bazzoni’s amnesiac Giallo FOOTPRINTS (1975). The Cinematheque Quebecoise will complement the series with a 35mm print from their archive of Marina de Van’s grotesquely transcendent IN MY SKIN (2002), which celebrates its 20th anniversary this year. Screenings will be introduced by Kier-La Janisse, and HOUSE OF PSYCHOTIC WOMEN will be available at all related events, with Janisse available to sign on request. For those who can’t make it to Fantasia, the book is also available for pre-order at https://www.fabpress.com/hopw-expanded-edition-hardcover.html

Films covered in the book include: THE ENTITY, BLACK SWAN, REPULSION, 3 WOMEN, THE CORRUPTION OF CHRIS MILLER, SINGAPORE SLING, CHRISTIANE F., TOYS ARE NOT FOR CHILDREN, LET’S SCARE JESSICA TO DEATH, THE HAUNTING OF JULIA, MADEMOISELLE, OUT OF THE BLUE, SECRET CEREMONY, CUTTING MOMENTS, DR. JEKYLL AND HIS WOMEN, THE PIANO TEACHER, POSSESSION, THE BROOD, ANTICHRIST and hundreds more!

Included in the limited edition hardcover will be an exclusive CD of author Kier-La Janisse reading Charlotte Perkins Gilman’s classic feminist horror story THE YELLOW WALLPAPER (1892) with an original score composed and performed by Timothy Fife (known for his work with labels Death Waltz and Library of the Occult) and cover art by Katy Horan (LITERARY WITCHES, ASK BABA YAGA).

HOUSE OF PSYCHOTIC WOMEN special edition will be available for direct purchase from FAB Press following the Fantasia launch on July 24th and will be widely available in regular edition as of October 2022.

House of Psychotic Women is for the horror aficionado as well as the horror curious. Janisse weaves her own life into an intensely personal exploration of the genre, challenging the reader to reconsider the films in all of their complexity. I devoured this compelling, surprising, and moving book.

  • Molly Ringwald, actress, singer and author

High Priestess of Horror Kier-La Janisse has crafted the definitive encyclopedia of female neurosis as depicted in horror cinema and the many ways it paralleled her own trauma zones. Beautifully written, extremely well researched and lush with gorgeous film stills and posters – a masterpiece.

  • Lydia Lunch, musician, poet, author and No Wave icon

People love this book. Why? It talks about life and art in an unusual, provocative way. Kier-La Janisse doesn’t kid around. For her, movies are a matter of life and death. House of Psychotic Women is an original, singular creation. Nothing like it existed before and certainly nothing since. Cherish this book, argue with it, throw it against the wall. But let it get under your skin… invade your bloodstream. It may change you.

  • Jimmy McDonough, author of The Ghastly One: The 42nd Street Netherworld of Director Andy  Milligan and Shakey: Neil Young’s Biography

Fascinating, engaging and lucidly written: an extraordinary blend of deeply researched academic analysis and revealing memoir.

  • Iain Banks, author of The Wasp Factory

What ultimately makes House of Psychotic Women so spellbinding is less the memoir or the reviews as individual entities, but the way that the two, when juxtaposed, remind us that these stories are rooted in the real; and not the big/broad/social-political real, but the real that is small and intimate and experiential.

  • Ian MacAllister-McDonald, LA Review of Books

 

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