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Home | The Powers of Hell Grab a Bride of Christ in the First Trailer for SULPHUR FOR LEVIATHAN

The Powers of Hell Grab a Bride of Christ in the First Trailer for SULPHUR FOR LEVIATHAN

Sulphur for Leviathan to Haunt the Festival Circuit
Sodom & Chimera Productions Debuts Trailer & Stills
Featuring a Nun in the Battle for Her Soul
Los Angeles, CA –Sodom & Chimera Productions has debuted the first trailer and new stills for Sulphur for Leviathan, the 13 minute companion piece to last year’s The Temple of Lilith.
Sulphur for Leviathan is the newest blending of arthouse and horror from experimental filmmaker James Quinn, who proudly stated, “Sulphur for Leviathan is a film that started out purely as an idea of rage. An outcry of anger against the anti-rationalism of the Catholic church, in this case not the more widely discussed controversies such as reoccurring cases of pedophilia and abuse, but rather the many moral codes they like to preach, like the commonly known ‘turn the other cheek’. While that may sound like a rather aggressive reason for a film, it is in its essence nothing but a piece of food for thought, intended to raise some questions about tough moral decisions that would be executed in a vastly different way outside of the religious concept.”

Sulphur for Leviathan stars Susan M. Martin as The Nun, known for Plank Face and Space Babes from Outer Space, as well as Jerry Larew as Lucifer, widely known for his portrayal of Alfie in the She Was So Pretty films. Other roles include Craig Long as Satan, and Joseph Knapik, head of the Columbus Zombie Walk, as a demon priest.

Sulphur for Leviathan – Official Trailer (2018 Horror Short) from Sodom & Chimera Productions on Vimeo.

The score was created by composer Leanna Primiani, who recently worked on the award winning horror short The Daughters of Virtue. The film also features music by the band Come to Grief, a Doom/Sludge Metal band from Boston, whose song Killed by Life was used for the end credits.
Sulphur for Leviathan revolves around a nun, who suddenly finds herself progressively fantasizing about things that shouldn’t be in her head, increasingly having to face her own doings of blasphemy, all leading up to something demonically dark and sinister. Portrayed in a surreal manner both in color and black and white, with a heavy focus on elegant cinematography, the film tells a satanic tale of unfulfilled desires, lust, blasphemy and existential dread, packed in a controversial and disturbing, but calm and poetic experience that is heavily inspired by Andrei Tarkovsky, with a touch of satanism.

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