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Home | Apocalyptic Fantasy WE ARE THE FLESH Begins Theatrical Rollout January 13th

Apocalyptic Fantasy WE ARE THE FLESH Begins Theatrical Rollout January 13th

Emiliano Rocha Minter’s Nightmare Fantasy We Are the Flesh
Begins US Theatrical Rollout in January 2017
Weeklong Runs in Los Angeles, New York and More

“Visually Spellbinding” — Fangoria

“Joyously demented portrait of humanity”– Variety

“The most disturbing horror debut since Hellraiser” — SFX

Los Angeles, CA – Arrow Films has announced the January 2017 theatrical rollout of Emiliano Rocha Minter’s We Are the Flesh. After a thought-provoking and acclaimed year on the festival circuit, the film will screen in over ten cities across the United States. Visionary, unrelenting, and not for the faint-hearted, Rocha Minter’s provocative and explicit creation is an erotic inferno of the senses that manages to pack all manner of delirium into its short running time. We Are the Flesh will open in Los Angeles at Laemmle’s Ahrya Fine Arts Theatre January 13th and in New York City on January 20 at Cinema Village.

We Are the Flesh will also open for weeklong runs in Laredo and San Antonio on January 13, Denver and New Orleans on January 20, and San Francisco, Pittsburgh and Columbus on January 27.

Special screenings include El Paso, Houston, Phoenix, Cleveland, Portland and Albuquerque throughout January and February.
Hailed by Oscar-winning Mexican directors Alfonso Cuaron (Gravity) and Alejandro Gonzalez Iñarritu (The Revenant), We Are the Flesh stars Noé Hernández as a post-apocalyptic hermit eager to transform the ashes of the world and María Evoli and Diego Gamaliel as the starving siblings under his thrall.

Rocha Minter’s debut feature stunned audiences following the world premiere at the Locarno International Film Festival. We Are the Flesh has since screened at festivals around the world, including Sitges, Fantastic Fest, Telluride, the Vancouver International Film Festival and more, picking up the Séquences Award for Best Film at Fantasia and nominations for Best First Film and the FIPRESCI Prize at the Rotterdam International Film Fest

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