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A24 has transformed from a boutique distributor into a full-blown cultural identity. In an era of formulaic jump-scares, they have cornered the market on “elevated horror”—films that are as much about psychological trauma as they are about the supernatural. But their secret weapon isn’t just the scripts; it’s a digital-first, viral-ready marketing machine that treats movies like limited-edition streetwear drops.
Here are the top 10 A24 horror films and the brilliant strategies that turned them into modern classics.
1. HEREDITARY (2018)
The Synopsis: After the matriarch of the Graham family passes away, her daughter and grandchildren begin to unravel cryptic and increasingly terrifying secrets about their ancestry. The more they discover, the more they find themselves trying to outrun the sinister fate they seem to have inherited.
The Marketing Strategy: A24 executed a “brilliant stroke of misdirection”. Trailers focused heavily on the daughter, Charlie, positioning her as the film’s central horror icon (a la The Exorcist), only for her to be shockingly killed off in the first act. To build organic hype, they sent creepy handmade dolls to critics and screened the film at midnight at SXSW to maximize “pure emotional terrorism” word-of-mouth.
2. THE WITCH (2015)
The Synopsis: In 1630s New England, a farmer and his family are banished from their Puritan colonial plantation. They establish a new home on the edge of a vast forest where an unknown evil lurks, leading to a descent into paranoia, witchcraft, and religious hysteria.
The Marketing Strategy: Lacking a massive TV budget, A24 leaned into controversy. They partnered with the Satanic Temple for an official endorsement, launching a “Satanic Revolution” tour that made the film feel genuinely dangerous. They also capitalized on the breakout character “Black Phillip” (a goat), creating a dedicated Twitter account for the animal that quickly became a viral meme.
3. MIDSOMMAR (2019)
The Synopsis: A grieving young woman joins her boyfriend and his friends on a trip to a remote Swedish village for a fabled midsummer festival. What begins as an idyllic retreat in a land of eternal sunlight slowly devolves into a violent and bizarre competition at the hands of a pagan cult.
The Marketing Strategy: The studio leaned into the “lifestyle” aspect of the film’s folk-horror aesthetic. They released a 1980s-style toy commercial for a “Bear in a Cage” figure and held a contest with TalkSpace to win couples therapy. Later, they hosted a charity auction where the iconic 10,000-flower May Queen dress was sold for $65,000, drawing bids from stars like Ariana Grande.
4. THE LIGHTHOUSE (2019)
The Synopsis: Two lighthouse keepers (Willem Dafoe and Robert Pattinson) try to maintain their sanity while stationed on a remote and mysterious New England island in the 1890s. Shot in stark black-and-white, it is a maritime descent into madness and myth.
The Marketing Strategy: A24 leaned into the “prestige weirdness” of the film. They released a custom emoji pack featuring nautical icons and the characters’ faces. The campaign focused on the powerhouse performances of the leads, using the film’s unique 1.19:1 aspect ratio in social media assets to signal to “film buffs” that this was a high-art event rather than a standard slasher.
5. TALK TO ME (2023)
The Synopsis: A group of friends discovers how to conjure spirits using an embalmed hand. They become hooked on the new thrill until one of them goes too far and opens the door to the spirit world, blurring the lines between the living and the dead.
The Marketing Strategy: Targeting Gen Z, A24 leaned heavily into TikTok and social media. They sold high-end “Leaning In” embalmed hand statues for $110 on their web store, turning a plot device into a coveted collector’s item. The campaign mirrored the film’s premise of viral party stunts, making the horror feel contemporary and “sharable.”
6. UNDER THE SKIN (2013)
The Synopsis: An alien entity (Scarlett Johansson) inhabits the body of a woman and roams the streets of Scotland, luring unsuspecting men into a void where they are consumed. It is a surreal, visceral exploration of humanity from an outside perspective.
The Marketing Strategy: The campaign was built on secrecy and voyeurism. Many scenes were filmed using hidden cameras with non-actors, and the marketing emphasized the “hidden” nature of the protagonist. A24 utilized cryptic posters and atmospheric teasers that refused to explain the plot, forcing audiences to see the film to solve the mystery.
7. GREEN ROOM (2015)
The Synopsis: A punk rock band witnesses a murder at a secluded neo-Nazi skinhead club. Trapped in the venue’s green room, they must fight for their lives against a ruthless club owner (Patrick Stewart) determined to eliminate all witnesses.
The Marketing Strategy: A24 leaned into the punk subculture, releasing posters that looked like gritty concert flyers. They focused on the “survival thriller” aspect, using high-intensity trailers that emphasized the claustrophobic setting. By casting the usually heroic Patrick Stewart as a cold-blooded villain, they created a “hook” that intrigued both horror fans and mainstream audiences.
8. PEARL (2022)
The Synopsis: Trapped on her family’s isolated farm, Pearl must tend to her ailing father under the bitter watch of her mother. Lusting for the glamorous life she’s seen in movies, Pearl’s ambitions and repressions collide in a technicolor origin story of the villain from X.
The Marketing Strategy: Shot back-to-back with X, A24 used a post-credits teaser in X to announce Pearl before the general public even knew it existed. They leaned into the “Golden Age of Hollywood” aesthetic for the posters and merchandise, creating a jarring contrast between the bright, cheerful visuals and Mia Goth’s unhinged performance.
9. SAINT MAUD (2019)
The Synopsis: A pious nurse becomes obsessed with saving the soul of her dying patient, but sinister forces and her own past threaten to put an end to her holy mission. It is a clinical, disturbing study of religious fanaticism.
The Marketing Strategy: A24 utilized “elevated” religious iconography in their social media clips, focusing on the film’s sensory details—the sound of crackling skin or the sight of flickering lights. They positioned Maud as a tragic figure rather than a typical monster, appealing to the “A24 House Style” fans who prefer character-driven psychological dread over jump scares.
10. THE KILLING OF A SACRED DEER (2017)
The Synopsis: A charismatic surgeon is forced to make an unthinkable sacrifice after his life starts to fall apart because of the behavior of a teenage boy he has taken under his wing. A clinical, modern retelling of a Greek tragedy.
The Marketing Strategy: The campaign focused on the film’s uncomfortable, deadpan tone. Trailers used jarring, operatic music and stilted dialogue to signal that the film was a “Lanthimos experience.” A24 utilized minimalist posters that emphasized the clinical, cold nature of the story, targeting “arthouse” audiences who value director-led branding.
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