This just in: America cannot and will not read subtitles. Ignorance is spreading from coast to coast, is there anything that can stop this epidemic?
Have you ever heard of a remake of a film that was a made just a [...]
SYNOPSIS: “Pit violinist Claudin hopelessly loves rising operatic soprano Christine Dubois (as do baritone Anatole and police inspector Raoul) and secretly aids her career. But Erique Claudin loses both his touch and his job, murders a rascally music publisher in a fit of madness, and has his face etched with acid. Soon, mysterious crimes plague the Paris Opera House, blamed on a legendary Phantom whom none can find in the mazes and catacombs. But both … Continue reading
SYNOPSIS: “At the Opera of Paris, a mysterious phantom threatens a famous lyric singer, Carlotta and thus forces her to give up her role (Marguerite in Faust) for unknown Christine Daae. Christine meets this phantom (a masked man) in the catacombs, where he lives. What’s his goal? What’s his secret?” (courtesy IMDB) REVIEW: This week I’m extremely pleased to discuss a film that is good – mostly – sometimes. This is the first film version … Continue reading
SYNOPSIS: A newer, gorier version of the classic 1910 Gaston Leroux tale has A Nightmare on Elm Street’s Robert Englund playing the Phantom. Christine DaaĆ© is a young Broadway singer in New York City. She is auditioning for a show, and comes across an old piece of music written nearly 100 years before by an unknown musician name Erik Destler. Destler it seems had made a pact with the devil (maybe by accident) so the … Continue reading
In 1928, Carl Laemmle Senior made his son, Carl Laemmle Junior, head of Universal Pictures as a 21st birthday present. Woo hoo! Universal already had a reputation for nepotism – at one point, seventy of Carl Senior’s relatives were supposedly on the payroll. Many of them were nephews, resulting in Carl Senior being known around the studios as Uncle Carl. If you’re wondering how to pronounce the surname, Ogden Nash once rhymed, “Uncle Carl Laemmle, … Continue reading
How does one identify a monster? The question is easier to answer by example than definition. In movie terms, a monster is something unnatural, dangerous and out of control. King Kong (1933), the Frankenstein (1931) monster, Godzilla (1954), Dracula (1931), Ray Harryhausen’s cyclops from The Seventh Voyage Of Sinbad (1958), the Alien (1979), The Mummy (1932). That’s the monster A-list, but gobbling along in their wake are the tentacled, radioactive invaders of the fifties – … Continue reading