Georges Méliès

Georges Melies 1

Horror cinema is almost as old as cinema itself, for the very good reason that fantasy is implicit in the very nature of film. Action can be slowed down or speeded up, people can be made to appear or disappear, scale can be altered so that people can become giants or mannequins, double-exposure allows one actor to play two roles simultaneously. The possibilities are endless and they were realised very early – not long after … Continue reading

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