SYNOPSIS:
“Peter Bogdanovich’s debut feature is a thinly disguised account of ex-marine Charles Whitman, who, after murdering his mother and his wife, armed himself with a number of rifles and handguns and on a sunny 1966 Texas morning, began a shooting spree that killed fourteen people and wounded thirty-two people. Bogdanovich’s version tells two stories concurrently, about an aging horror-film star who feels that his type of movie monster has become … Continue reading →