Land of Shadow and Substance: Judgment Night

Land of Shadow and Substance – Judgment Night – (12/04/59)

There is a fifth dimension beyond that which is known to man. It is a dimension as vast as space and as timeless as infinity. It is the middle ground between light and shadow, between science and superstition, and it lies between the pit of man’s fears and the summit of his knowledge. This is the dimension of imagination. It is an area which we call the Twilight Zone. – Rod Serling (Season one introduction)

By the time episode three came about, issues with Serling started to appear. While he had acted in college before, it was never an audience size he now stood in front of each week and it made him terribly nervous and to the point of going pale. Who could blame him? Twenty million is a substantial number. During season one, with the episodes’ beginning narrations being off camera helped, something that would change in season two, and this aided.

Director Lamont Johnson, who made his Twilight Zone directorial debut during season two, realized this. In an effort to combat Serling’s fear, Johnson, his crew in cahoots, would tease and joke with Serling, relaxing him, but never letting him know the cameras’ were also rolling. Coincidently, speaking of directing, Douglas Heyes, also beginning in season two, began inventing imaginative ways of bringing Serling into the introductory scene. However, usually it would be the assistant director responsibilities to film Serling’s narrations.

Written by Serling and directed by John Brahm, Judgment Night didn’t come off without any hitches and during a certain scene, when the first officer requests a cup of tea, General Foods, being the show’s sponsor and promoting their Sanka brand coffee product, objected, and the line was changed to coffee instead. It would be the only time censorship invaded the Twilight Zone.

Otherwise, the filming of this ghost story, similar to the Flying Dutchman tales of old, ran smoothly and proves to be a frightfully accurate portrayal of what many sailors and passengers alike must have certainly felt while traversing the North Atlantic during World War 2.

Judgment Night

12/04/59

Carl Lanser is a passenger on the fog encased and lost S. S. Queen of Glasgow, with no recollection of how it came to be. After an after dinner meeting with fellow passengers, all the while feeling a sort of Déjà vu and swearing that he has met them before, he retires to his room, where he finds a German Submarine Navel officer’s cap with his name stamped on the inside.

Suddenly, he has an ever increasing fear that the ship is being stalked by a silent killer, a German submarine. Desperately trying to remember his past, he visits the bar for a drink and views the little after midnight wall clock. This triggers a memory that something terrible will occur at 1:15 a.m., but doesn’t know what. He notices that the ship’s engines have stopped, a product of mechanical breakdown, and pleads with an officer to get them back started…that they are sitting ducks.

At precisely 1:15 a.m., a U-Boat surfaces and the crew man the massive deck guns and begin firing on the helpless ship, machine gunning any survivors. With fears realized, Carl looks through a set of binoculars at the U-boat captain and finds that it is he, himself staring back.

Afterward, on the sub, a clearly distraught Lieutenant Mueller (James Franciscus) is suggesting to Kapitain Carl Lanser that what they have done, killing innocent woman and children, will be the cause of them to be damned for all eternity. Lanser heartily debunks Mueller’s theory.

However, Mueller is right, and Lanser will in fact relive the night over and over…as a frightened passenger aboard the S.S. Glasgow.

Next time – And When the Sky Was Opened

Want more of horror writer Thomas Scopel & his alter ego sinful clown Wee Wille Wicked? Visit his blog at http://stayingscared.blogspot.com, where you can download his free mobile app.
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Thomas Scopel has explored the dark, demented, and gruesome his whole life, beginning at a young age with Pittsburgh’s Chiller Theater. He has penned and published many reviews, articles and short stories, as well as two novellas. At press time, he is currently in the midst of editing his first full length novel for Suspense Publishing, submitting a few tales elsewhere, and chopping through other various blood infused projects that most would probably prefer to read with the lights on. Also known as Wee Willie Wicked, a sinful, malicious clown who takes pleasure in fear and also writes, usually finding solace in covering frightening film reviews for Horror News Net, one thing’s for certain, this horror writer has no shortage of drive.

Land of Shadow and Substance: Judgment Night

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About Wee Willie Wicked

Wee WillieWith the seeds firmly planted in his mind by Pittsburgh's Chiller Theatre, Thomas Scopel found the weekly scares he desired. After obtaining a degree and working in the engineering field and constantly feeling the writing itch, he pursued it, becoming a correspondent at the Daytona Beach News Journal. This scratched the itch, but left only raised, bloody, horror aspirating welts on his flesh and he converted to horror fiction.

Since entering the macabre he has been published in various horror based publications and his alter ego, an evil clown named Wee Willie Wicked, was born. His tales include: The Pumpkin Patch, Lickety Split, While You Sleep, All the Creatures Were Stirring…Even the Mouse, The Eight Legs of Night, The Argument, A Cup of Sugar, The Horrors of Easter, Don't Forget the Fingers: A Guide to the Perfect Zombie Family Picnic, Welcome, The Christmas Help, and more.

He has written two novellas, Twitch and The Daily Death – How I Killed My Co-Workers In 30 Days, a collection of macabre fictional death tales.

One Response to Land of Shadow and Substance: Judgment Night

  1. Victor De Leon says:

    This ep is hands down one of my favorites. It’s suspenseful, beautifully shot and full of mood and dread. I revisit this one often since the story and the performances are top notch. The episode has a very dreamlike and ethereal atmosphere that becomes a staple in later entries. Serling’s intro and exit narration are awesome too. Good write up!

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