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Film Review: Conquest Of Space (1955)

“A team of American astronauts leave their space station on the first mission to Mars, but the captain’s religious beliefs may get in the way.” (thanks to IMDB for that elaborate synopsis)

Hungarian-born filmmaker George Pal became an American citizen after emigrating from Europe. For seven consecutive years his short animations were nominated for Academy Awards and he received an honorary Oscar in 1944. As an animator, he made the Puppetoons series during the forties, then switched to live-action films with The Great Rupert (1950). He’s best remembered as the producer of landmark genre films in the fifties, such as Destination Moon (1950), When Worlds Collide (1951), Houdini (1953), The War Of The Worlds (1953) and The Naked Jungle (1954), and his background with the whimsical Puppetoons set the foundation for the imaginative production designs for his films during this period.

Pal returned to the subject of ‘serious’ space travel with Conquest Of Space (1955), a film so bad – how bad was it? – it was so bad it effectively killed off the genre until Stanley Kubrick’s 2001: A Space Odyssey (1968). Not as dull as Destination Moon, it is certainly one of the most embarrassing science fiction films ever made, for which James O’Hanlon‘s script must take a major share of the blame. Set in the far-flung future year of 1980, the story begins on a space station in orbit around the Earth. The commander of the station, Samuel Merritt (Walter Brooke), has been supervising the construction of a huge spaceship which is now complete and moored nearby. Officially the ship’s destination is the moon, but it’s been built with a large pair of wings attached to it – obviously a useless modification in a vacuum – yet, amazingly, the commander has refrained from asking his superiors on Earth why he has been asked to build the wings. No wonder he doesn’t register much surprise when he receives a curt message just before the mission is about to begin: “Moon trip canceled. Your destination is now Mars.” As simple as that.

Also on board the space station is Merritt’s son Barney (Eric Fleming) with a team of highly-trained astronauts destined for the moon. They’re a pretty hilarious bunch of characters and act like a group of lustful sailors from a mediocre Second World War navy movie. This is apparently the scriptwriter’s method of establishing that, despite being highly-trained spacemen, they’re not stuck-up but simple down-to-earth guys just like the members of the audience. However, this doesn’t work, and we’re left with the impression that they wouldn’t be safe in control a rowing boat, much less capable of handling a spaceship. The reason for going to Mars is to see if it contains valuable raw materials. This explanation is put forward by a Japanese astronaut named Imoto (Benson Fong) who, in a bizarre speech, suggests that the Japanese attack on Pearl Harbour and the war in the Pacific were caused by Japan’s lack of steel and good food. The shortage of steel forced people to live in paper houses and eat with chopsticks, while poor nutrition made them stunted, unhealthy, and consequently very envious of the rich, healthy, handsome Americans. But, says Imoto, if Japan can obtain all its necessary raw materials from Mars, it’s unlikely that war between America and Japan will ever happen again.

Director Byron Haskin was well aware at the time that he had a stinker on his hands. Years later he told me, “The picture was a flop because the personal story was too intrusive. Our co-producer, Macrea Freeman Junior, insisted that we have this incredible father-and-son neurosis. The father loses his cool and his son has to kill him. Now, a person chosen to be an astronaut is not going to blow his stack. He’s long since been tested to prove he’s not the kind of guy that would succumb to that kind of pressure. Also, we had another crewman killed earlier on and his body is sent off towards the sun. If anything, the whole film was a series of impressive funerals.”

Unlike most of George Pal’s other films, the special effects in Conquest Of Space were often ambitious but, on the whole, badly executed. Early in the film, for instance, there is an elaborate effects set-up showing a space shuttle arriving next to the space station and then a number of space-suited figures ‘swimming’ from the shuttle to the station while the Earth revolves below them. Thick matte lines around the various images completely destroy the illusion. The other major flaw is the model work. The models themselves are very unrealistic with no surface detail, and so badly lit they look no bigger than their actual size, nor are they well animated, sometimes resembling spacecraft from a Flash Gordon serial.

That being said, there were a couple of high spots in the effects, such as the sequence Byron Haskin mentioned in which Ross Martin‘s space-suited corpse is pushed off towards the sun, and the actual landing on Mars. For its day, though, the film was technically accurate in its description of how a trip to Mars might be carried out, which was to be expected considering that the technical advisor was Wernher Von Braun, whose book The Mars Project provided the inspiration for the film. I’d now like to take time to thank Cinema Papers (March 1975) for assisting my research, and I’ll be back next week, whether you like it or not, with a much better film than this week’s offering, I promise, cross my heart and hope to – ahem – and that’s all the time I have left for…Horror News! Toodles!

Conquest Of Space (1955)

About Nigel Honeybone

"Rondo Award Winner Nigel Honeybone's debut was as Hamlet's dead father, portraying him as a tall posh skeleton. This triumph was followed in Richard III, as the remains of a young prince which he interpreted as a tall posh skeleton. He began attracting starring roles. Henry VIII was scaled down to suit Honeybone's very personalised view of this famous king. Honeybone suggested that perhaps he really was quite skeletal, quite tall, and quite posh. MacBeth, Shylock and Othello followed, all played as tall, skeletal and posh, respectively. Considering his reputation for playing tall English skeletons, many believed that the real Honeybone inside to be something very different, like a squat hunchback perhaps. Interestingly enough, Honeybone did once play a squat hunchback, but it was as a tall posh skeleton. But he was propelled into the film world when, in Psycho (1960), he wore women's clothing for the very first time. The seed of an idea was planted and, after working with director Ed Wood for five years, he realised the unlimited possibilities of tall posh skeletons who dressed in women's clothing. He went on to wear women's clothing in thirteen major motion pictures, including the Rocky Horror Picture Show (1975) and Star Wars (1977), heartbreaking as the remains of Aunt Beru. With the onslaught of special effects came the demise of real actors in these sorts of roles. After modeling for CGI skeletons in Total Recall (1990) and Toys (1992), the only possible step forward for a tall posh skeleton was television, imparting his knowledge and expertise of the arts. As well as writing for the world's best genre news website HORROR NEWS, Nigel Honeybone also presents the finest examples of B-grade horror on THE SCHLOCKY HORROR PICTURE SHOW seen every Friday night on TVS Television Sydney." (Fantales candy wrapper)

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  1. March 2, 2012

    Mr. Alexander Simon,
    Sir William Place,
    #305, 8820 – 85 Street,
    Edmonton, Alberta,
    Canada T6C 3C2

    File Number: 0078968
    Telephone: (780) 466-9719

    Regarding McCarthyism is the practice of making accusations of disloyalty, subversion, or treason without proper regard for evidence.! http://en.wikipedia.org/wiki/File:Is_this_tomorrow.jpg; is the anti-communist statement of American appellate too! “Is This Communism Too?” The Hungarian: “Is This Tomorrow?” “Set in a sleepy, nondescript California town, the fictional Santa Mira, Invasion of the Body Snatchers uses a film-long flashback to frame the action (the prologue and epilogue were added in post-production, at the direction of the film’s producer, Walter Wanger, who was concerned about the dark, pessimistic tone of the film).” The interest is Alien theft from Democratic care! And the commie is religion lousy and dirty as the some lonely sewer! Exciting clean people fight for stay! The Invaders are first firm fighting theirs! Not born yet; and wanting no day but to, re birth and not deliver hate! The P.O.D.s are Policing pestilence/Overriding/ Doust! Older people transcended by mind; and hating their Government!

    In both Films Classic only one is more Important: “The Day The Earth Stood Still!” For the new Sequel here; “Battle for Heaven;” in Italy; money is moving well! P.O.D.s or testing People Over-taking (Earth’s) Democracy; were sent from a twin Earth like Plane to Net Teary: terrestrial enslavement of People and kill the Roman Catholic Human Regime!

    With proof; and the acceptance of the New Film ‘Acceptance: Division Human;’ filmed in England, London now … one Series proved the remarkable work and interest in a rare tagger and skill of men, women to find reasons why when we sleep … our bodies are invaded?

    New to the talented scientists and world caring researchers is the docu-drama called in vision!

    This Hungarian and Welsh production is on Dream Travelling for information on why all beings breathing must sleep and wake up angered with loss of memory?

    The Last Fine is a rate testimony on policing introduced on Polish soil why People need more rest after the work of security! All Films are valid and need one touch the Human!

    The Roman Killer is another film new and now to be released on the depraved fools that upset the vows of Calvary and lied to the dead for bed room!

    Best of care and end the stuff of run away loser the commie!

    The Klan of Simon!!!!!XXXXX


    Yours Most Sincerely,

    Mr. Alexander Simon

    • Hiya Mr. Simon!

      I always endeavour to answer all replies to any of my articles. First off, I want to thank you for simply reading Horror News. Secondly, I think you’ve replied to the wrong article. My review for Conquest Of Space doesn’t mention either McCarthyism nor Communism. In the article I simply state that Mr. Pal was born in Hungary, which seems to be the only connection I can make with your reply. Perhaps you replied to the wrong article. I recently wrote a review for the original Invasion Of The Body Snatchers (1956), accompanied by an overview of the various film adaptations of Invasion Of The Body Snatchers. Were you replying to one of those articles instead?

      Thirdly, pardon my ignorance, but your reply doesn’t make much sense to me and seems to be, at first glance, a maniacal ramble. For instance (forgive me if I’m taking anything out of context), “The interest is Alien theft from Democratic care! And the commie is religion lousy and dirty as the some lonely sewer! Exciting clean people fight for stay! The Invaders are first firm fighting theirs! Not born yet; and wanting no day but to, re birth and not deliver hate! The P.O.D.s are Policing pestilence/Overriding/Doust! Older people transcended by mind; and hating their Government!” What the devil does that mean?! Anyway, thanks again for reading, and I sincerely look forward to hearing from you soon. Toodles!

      Nigel Honeybone.

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